Gendered Journeys, Mobile Emotions

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Sport and social class Pierre Bourdieu. Infrastructure, programs, and policies to increase bicycling: an international review. National travel survey: Department for Transport. Gender and cycling. Gendered journeys, mobile emotions Gayle Letherby , Gillian Reynolds.

Space, the city and social theory Paul Brooks Watt. Travel in London: Key trends and developments. Transport for London.

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Password Changed Successfully Your password has been changed. Again alcohol being a massive factor there. And the sense of risk or anything just completely distorted, despite the fact I was in a country with a very high prevalence of HIV and pretty much everyone having sex with everyone else all the time! Hilarious fun at the time…. Maggie, referring to her travels in Thailand. There are no inhibitions with sexual encounters. You know you are not going to see them again so you can just be a bit more outrageous or….

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You get into stupid situations because of the hype of being away. Looking back it was shocking behaviour….

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Louise, referring to her travels in Thailand. It appears that stories that involve a high degree of risk are seen as part of the travelling experience. Tying into the pleasure seeking discourses of female sexuality and backpacking tourism discussed in the literature review, it can be argued that the women have been influenced by these discourses and acknowledge that to achieve a high state of stimulus, pleasure and gratification there often needs to be risk involved, resonating with Cohen's theory of the search for 'experience' tourism.

These narratives show how women can reject the notion of risk as a constraint to their travelling experience, and instead use it as a tool to enhance their experiences and subsequent travel stories. Despite the well rehearsed narrative of this master script, many of the participants also expressed negative emotions in response to situations of risk and danger. Often, the women felt intimated, threatened and uncomfortable with situations which encompassed a high degree of risk, especially with regard to their positions as lone women and personal safety.

The reflective interview process offers the participants the comfort of deciding which aspects of their travelling identities they wish to promote, often elevating the qualities of the strong, resilient, tough and fun backpacker, and the well rehearsed narratives give the illusion of control. I knew why I was doing it, but I hated it. I hated just feeling horrible. Holly describes her feelings towards being approached by local men in the street during her travels in Morocco They wanted to take you places and show you things, they were kind of being hospitable but there was a fine line….

Holly arranges to meet them the following day against her will, and then does not turn up. It was awful! I just felt horrendous! I should have been clear. And in a way perhaps their values are better and it was a nice thing they want to get to know us.

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But of course you always think well, do you just want sex out of this at the end of the day? I felt really rude. Feelings of doubt and alienation are prevalent in the narratives as the participants struggle to justify their hostility to local people. My experience of this interview and subsequent interviews, noted that Holly's position is assumed to be received empathetically by a female interviewer and fellow traveller, as running parallel to the script of the world traveller is also the well established gendered discourse of personal safety in public spaces Wilson et al , despite this discourse being largely absent of wider, socio-political explanations.

This reflects the research of Wilson et al who studied the constraints on lone female travellers. However the paradoxical nature of these narratives can further be linked to the shift in feminist identities discussed in texts which seek to address cross-generational feminisms. Indeed with regard to the above examples, we can see these feelings of fear and objectification internalised into personal guilt and confusion. Shoemaker in Drake and Leslie observes how these tensions run parallel to the aftermath of second wave feminism:.

We had to be just as hard as the boys…. Portrayal of men, women and LGBT people in video games.

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See also: Category:Video games featuring female protagonists. See also: Category:Video games featuring female antagonists. Lots of guns. I'll make them pay! Video games portal Feminism portal. Kafai, Yasmin B. The MIT Press. Retrieved Archived from the original on Sex Roles. Adolescent Perspectives".

Children, Youth and Environments. Still a man's game: Gender representation in online reviews of video games. Gender differences in video game characters' roles, appearances, and attire as portrayed in video game magazines. Archived at the Wayback Machine Sex roles, 57 , Burgess 30 June The Escapist. Why don't the characters in my apps look like me?

Retrieved 12 April Guinness World Records Ltd. Hardcore Gaming Retrieved 6 October Retrieved 12 September Revue des Sciences de l'Education. XII, No. Understanding video games: the essential introduction. Hero Comles. The Sydney Morning Herald. Archived from the original on October 15, Norwegian University of Science and Technology.

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Elexis Sinclaire was also one of the first female villains featured in the FPS game called Sin, released in Journal of Communication. Retrieved 31 July Male Character ". Feminist Frequency. Male' Trope". Retrieved 7 May Retrieved 12 February Industry bulletin's cover sets off firestorm". Retrieved 7 June Media Report to Women.

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